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The White Man in the Tree is a comedy of cultural misunderstandings set in the Caribbean, New York, and Paris, a novella and eight stories about people who, because of their differences, misjudge each other. Whether it is a sophisticated European filmmaker, an ambitious young black Haitian woman, a promising politician obsessed with women's feet, or a fish-out-of-water rabbi in search of a kosher chicken in Cura�ao, each of Kurlansky's characters engages us with impulses and interactions that are by turns comic, insightful, and poignant. The White Man in the Tree is an affectionate portrait of a unique society, where Europe, America, Africa, and Asia meet Latin America.
- Sales Rank: #1993889 in Books
- Brand: Brand: Washington Square Press
- Published on: 2001-09-01
- Released on: 2001-09-01
- Original language: English
- Number of items: 1
- Dimensions: 7.25" h x .80" w x 5.13" l, .79 pounds
- Binding: Paperback
- 336 pages
- ISBN13: 9780671036065
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Kurlansky is best known for such quirky nonfiction surprise bestsellers as Cod and The Basque History of the World and here turns his hand for the first time to fictionAwhich won't make the same market splash as his earlier, offbeat offerings, but should produce some ripples. The author was for many years a newspaper correspondent in the Caribbean, and an intimate knowledge of the islands and their sometimes peculiar approaches to life and ways of doing things permeates these affectionate and often wryly amusing tales. The title story is a delicious fable about a Danish filmmaker who thinks he has found nirvana with a beautiful Haitian mistress, only to discover that her views of the possibilities of the relationship are profoundly different. "The Unclean" tells of efforts to produce kosher chickens for a Dutch West Indies island, and the confusions that result. "Naked" is a sweetly satirical account of the political bureaucracy at work in the wake of an island hurricane. "Beautiful Mayaguez Women," set in Puerto Rico, details some of the odder corners of labor relations and cross-dressing on the island. "Packets and Paperscraps" is a perceptive and poignant story of an island stud and his problems with the arrival of AIDS precautions. Only "Desparecidos," an unsettling tale of a journalist traveling around South America who discovers he has a doppelg?nger filing stories in his name, strikes a darker note. But this is basically a sunny collection, lithely written and full of Caribbean sunshine.
Copyright 2000 Reed Business Information, Inc.
From Booklist
Readers familiar with Kurlansky's acclaimed nonfiction will appreciate the dexterity with which he moves into the fiction world. Kurlansky, a former Caribbean news correspondent, uses his considerable knowledge of the area and easily depicts its different nationalities, social classes, and races. In nine short stories and one novella, he offers a bounty of idiosyncratic characters with distinct perspectives on life. In Kurlansky's world, an aspiring politician's voyeurism avalanches into a foot fetish; the men of a small village turn to transvestitism in order to secure employment; and the burgeoning relationship between a Danish filmmaker and his Haitian girlfriend finds itself threatened by both her family and North American multiculturalism. What shines through in all of the stories is Kurlansky's abiding love for his characters. Although he tackles big topics, from the corporatization of Third World countries to the hypocrisy of the religiously devout, Kurlansky never fails to make his characters fully human and sympathetic. Brendan Dowling
Copyright � American Library Association. All rights reserved
Review
The New York Times Book Review Rich, complex, and delicious as the islands themselves, boiling with humanity.
The Boston Globe Mark Kurlansky writes with a quirky verve that makes his books as entertaining as they are enlightening.
Chicago Tribune Funny, touching, and thought-provoking.
Publishers Weekly A sunny collection, lithely written and full of Caribbean sunshine.
Most helpful customer reviews
4 of 4 people found the following review helpful.
(Caribbean) basin full of personalities
By Amazon Customer
Truth is stranger than fiction. Not always. When penned by Mark Kurlansky both are equally extraordinary. Not satisfied with being a Caribbean reporter for the Chicago Tribune, he became a successful non-fiction writer (COD and THE BASQUE HISTORY OF THE WORLD). Now, with THE WHITE MAN IN THE TREE, it's fiction and very obvious that he is equally at ease in the imagination, and also very much at home in the Caribbean.
THE WHITE MAN IN A TREE is a novella and collection of other witty - sometimes wickedly so - short stories; all about life in the Caribbean, principally Haiti, Dominican Republic, Puerto Rico and French Guiana. What makes the book so enjoyable - besides Kurlansky's easy prose and comfort with the vernacular - is how he tackles the sociologically complex and serious issues that arise in such a potent admixture of people, places and cultures. Miscegnation is frought with portents of political correctness; rather than being shied away, Mr Kurlansky uses it as the theme to explore the misunderstandings and mistakes that are the common denominator of the humanly rich and diverse Caribbean.
For anyone who has lived in the area the tales will ring true. The complexity of motives and resulting eccentricity of behaviour that seems so weird to visitors is perfectly captured and explained, with a locals' shrug of the shoulders by Mr Kurlansky. Underlying all is the constant rhythm of the Caribbean sense of humor, which Mr Kurlansky has in abundance and with which he writes with abandon.
Misunderstandings and misjudgements aside, a sense of play is the one thing in common in the Caribbean; a necessary ingredient for living there and required of anybody who wishes to understand the region.
5 of 6 people found the following review helpful.
Can Journalists Write Fiction?
By IsolaBlue
Mark Kurlansky knows the Caribbean. This is evident from his penning of the nonfiction book, A CONTINENT OF ISLANDS which efficiently and knowledgeably introduces the West Indies to those who do not know it and offers reflection to those who are from the region or to those who care about it. In THE WHITE MAN IN THE TREE, Kurlansky tries something different. He writes short stories that take place in different areas of the Caribbean: Haiti, Curacao, Puerto Rico, the Dominican Republic. He works well in this area of fiction, and, as short stories, his succeed. What doesn't work quite as well is that most of the stories sound as though they are inspired from the viewpoint of a journalist and transferred to fiction. Seeing that Kurlansky is a journalist, this is understandable, but there are times when his style doesn't work. The reader can easily become engaged with a story only to feel, halfway through it, that he or she is reading an article from a news magazine. Kurlansky tries to disconcert the reader by presenting misunderstandings and cultural clashes, but there are many times in the stories when one is left feeling uncomfortable as though the author may have gone too far into another's culture. There is too much - socially and politically - that is walking a fine line here. But there is nothing to say that Kurlansky should not be writing of all these different cultures and nationalities. The rule in stepping out of oneself to write as "other" is to know one's subject, and not to portray anything or anyone in an incorrect way. For the most part, Kurlansky is on level ground here; he knows his subject matter. Still, there is a slightly eerie feeling about the entire book of stories that makes the reader think that these are stories that might better have been told in a genre other than fiction.
2 of 2 people found the following review helpful.
Cultural Miscegenation in Paradise
By Gregory D. Curtis
Mark Kurlansky is the gifted author of several nonfiction books, including the extraordinary Cod: A Biography of the Fish that Changed the World, an eye-opening history of the Basques, and, if rumor serves, a forthcoming book on (forget it, you'll never guess) salt. It is therefore deeply unfair - appallingly unfair, really - to discover that he is a sensational, almost sui generic, writer of fiction. The White Man in the Tree, his first published fiction, is so nonfiction-like, so real in the deadpan, straight-ahead, choirboy-innocuous prose Kurlansky has invented, that it is only by conscientiously pinching ourselves every now and then that we can remember it is fiction he has turned his wicked hand to this time out, and not some mind-numbingly bizarre but nonetheless perfectly true story. Or stories. There are ten of them in White Man, each taking as its subject the comic, painful, surreal or just plain silly complications that arise from a form of cultural miscegenation as Euro-American cultures encounter the very different cultures of the Caribbean islands. Because these stories are simultaneously so real and so unreal, they make Kurlanksy's point about cultural and racial misapprehensions in a way that traditional fiction or nonfiction could never hope to achieve. They enlighten without preaching, amuse without humiliating, and establish a truth that is all the more profound and memorable for being just slightly too strange to be fully false.
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